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Tennis Beyond the Headlines: December 23, 2024 The Definitive Captains Guide to USTA League Player Descriptions The Definitive Players Guide to USTA League Team Descriptions Shameless Strategies: Never Pick Up Your Share of Drill Balls Again Tennis Players as Works of Art Which Team is Your Main Squeeze? Cowtown Edition Speed Through / Double Back

Tennis Vernacular: Having a Hit

On By Teresa Merklin

Following an early morning training session this week, the FACSU thanked me for “the hit.” As soon as that innocuous phrase was uttered, it was clear that the tennis phrase “having a hit” had jumped to the start of the queue for the installment of “Tennis Vernacular” themed posts this weekend. That phrase was introduced and repeated as a recurring concept throughout Grace Lichtenstein’s “A Long Way Baby” book. I regarded it as an interesting turn of phrase, but not one that was in contemporary usage. As it turns out, apparently the FACSU uses it from time to time, albeit in a shortened format.

Tennis Vernacular: Walkabout

On By Teresa Merklin

Evonne Goolagong’s profile in Grace Lichtenstein’s “A Long Way Baby: Behind the Scenes in Women’s Pro Tennis” highlights her easy going demeanor. She never scowled or argued and rarely exhibited irritation over a missed shot. She played the game with child-like abandon and enjoyment. Goolagong personifies how people should experience playing tennis. It is supposed to be fun.

Tennis Vernacular: Treeing

On By Teresa Merklin

To the best of my recollection, I never encountered the term “treeing” back in the 70’s and 80’s when I was playing junior tennis. I was first exposed to the word and its meaning through the junior playing career of the Umpire I Gave Birth To. Consequently, I regarded the word as a distinctly modern term. “Treeing” in tennis occurs when a player rises above their normal skill level on a temporary basis. The most common usage of the term when I encounter it in the wild refers to a single shot. Treeing can also be exhibited for an extended duration spanning a few games or possibly even a set.

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A Long Way Baby: Behind the Scenes in Women’s Pro Tennis

On By Teresa Merklin

Our third book installment during Women’s History Month is another professional tennis “Year in the Life” account. Grace Lichtenstein’s offering, A Long Way, Baby: Behind the Scenes in Women’s Pro Tennis, focuses on 1973. It had been a scant three years since the “Original Nine” signed the $1 professional contracts which spawned the tour sponsored by Virginia Slims. Women’s professional tennis was in its formative stages. It was also the year that Billy Jean King and Bobby Riggs played their landmark “Battle of the Sexes” exhibition match in the Astrodome.

Reflecting on a Wheelchair Tennis Rule

On By Teresa Merklin

There is a elegant simplicity to the Rules of Wheelchair Tennis. The ITF Rules of Tennis are constructed in a way that makes it clear that everyone plays tennis under the same basic rules. The adaptations of those rules for Wheelchair Tennis players are codified in a separate section that only addresses those modifications. As we have been working through our sequential examination of the Rules of Wheelchair Tennis addendum, each section typically overrides or adapts a rule on the books from the main body of the ITF Rules of Tennis.

Embracing the Evolution of the Tennis Ball

On By Teresa Merklin

Throughout the history of tennis, there has been significant evolution in the construction and manufacture of the tennis ball. It is a good thing, because otherwise the sport would still be played with a ball made of leather stuffed with rags and/or horsehair. I sometimes wax nostalgic about the characteristic aroma of the modern tennis ball. It lingers in the atmosphere at tennis facilities as a permanent vestige of the fleet of the ball carts and hoppers used by the resident teaching pros. I shudder to think what it would smell like if we still used the traditional balls from the earliest days of tennis. I… probably would not store tennis balls in my car if we did.

League Captain Alert: NTRP Computer Ratings Expirations

On By Teresa Merklin

2020 was a year of difficult decisions. One of the myriad of problems the USTA was confronted with last year was what to do with player NTRP ratings. Due to shutdowns and closures due to the pandemic, the volume of matches did not achieve the numbers required to reliably make the NTRP calculation. The USTA statement that announced the decision that ratings would not be updated at the end of 2020 first declared the NTRP system to be fundamentally sound. (Cough.) The move was characterized as a difficult decision. I am sure it was.

Let’s Be Honest: Martina Navratilova

On By Teresa Merklin

Martina Navratilova is the perfect case study of inequities in professional tennis endorsements. It is an undeniable fact that throughout here playing career she did not receive the same level of corporate sponsorship that the other players in her tier of performance were routinely awarded. We have previously touched on two contemporaries of Navratilova, Zina Garrison and Lori McNeil. Those players also did not receive many endorsement opportunities and that fact is attributed to the color of their skin. On the other hand, Navratilova’s issue is that she has always been always open about her sexuality. The tennis industry powers during her career simply did not believe that people would purchase products enforced by bisexual and homosexual athletes.

Talk to the Hand: A Halep of a Red Dress

On By Teresa Merklin

“2018 AO Flashback: Fashion Hits and Misses” published last Sunday focused on the duplicity of the Baseline Tennis columns highlighting fashion “Hits” and “Misses” from The Australian Open in 2018. That year was selected intentionally and it wasn’t because of the garish bright salmon color that was predominate in the Nike line that year. In 2018, Romanian tennis player Simona Halep was the lead photo and story in the “Misses” column. The official Tennis Channel twitter account, a part of the same media conglomerate as Baseline Tennis, even tweeted about Halep as a fashion “miss.”