An engineer overthinks tennis in a daily journal.
Television viewership for the recently concluded US Open tennis tournament was down sharply when compared to 2019. A lot of the decline in viewership can be chalked up to the COVID-19 sports bubbles that created a glut of major sporting events taking place at the same time. The overall average tournament viewership was down 45% compared to 2019.
Casual tennis fans are probably unaware of the business organizations that underpin tennis. It is important to understand that the Womens Tennis Association (WTA) and the men’s Association of Tennis Professionals (ATP) are separate business organizations. Each organization sets prize money and other compensation standards for their own tour events.
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In a recent interview on the No Challenges Remaining Podcast, one of the “Original Nine” players, Kristy Pigeon, indicated that she thought that the “Battle of the Sexes” movie accurately depicted the events of 1970. Despite that, it is important to remember that “Battle of the Sexes” was not a documentary. Creative license was exercised to weave complex events into a narrative structure to fit within a reasonable movie run length.
The tennis world very recently marked the 50 year anniversary of the “Original Nine” that signed $1 contracts that formed the basis of the women’s professional tennis tour. That seismic event does not occur without the visionary leadership and organizational savvy of Gladys Heldman. In the words of Billie Jean King, “Without Gladys Heldman, there wouldn’t be women’s professional tennis.”
I eagerly anticipated the recent release of Steve Flink’s biography of Pete Sampras. It is not exactly a “hot take” to say that Sampras is the greatest male American player of all time. It is not even close. His fourteen grand slam championships tower above the 8 won by both Jimmy Connors and Andre Agassi. He was ranked #1 in the world for an astonishing six consecutive years.
Every Wednesday this site contemplates a rule taken sequentially from the ITF Rules of Tennis as contained in the USTA’s Friend at Court. Today’s rule is from the “Continuous Play” section. The general principal underpinning all the rules in this section is that play should be continuous from the moment that the first serve is put into play until the match is completed.
It will probably not surprise anyone that I love the “Bag Check” feature that runs on the Tennis Channel. I actually used to like it even more before it started to be dominated by product placement trope. Still, that segment occasionally turns up some genuine gems. I am very interested in what players at all levels carry in their bags.
A couple of weeks ago the USTA sent an email addressed to all league and tournament players announcing that there will be no NTRP ratings updates published at the end of 2020. I believe that the majority of the regular readers of this site compete in adult tournaments or leagues, thus also received the email. Consequently, I am assuming that most are already aware that the “bump” will not occur this year.
The most absurd thing I have ever encountered while pitching in to dry a tennis court occurred a couple of years ago at a USTA League Sectional Championship event. As I was picking up a court drying implement, I was accosted by a woman who attempted to prevent me from using it. It was the first and the only time in my life that I can remember being discouraged from helping out with a wet court.
Yesterday’s installment in the Fiend at Court “Unplugged” series lamented the fact that there isn’t a universal standard or etiquette for drying courts when it rains at tennis tournaments. Today I shift my attention to rain during regular season USTA league play. This is an entirely different dynamic.